Live Fast Mag



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Live Fast Mag curates the best of fashion, art, sex, and travel. A vivid and sexy inspiration board for the aesthetically-inclined, Live Fast features in-depth interviews, putting the spotlight on up-and-coming artists, designers and the beautiful minds of our time.


Interview Series

F>A>S>T> Lingerie Guide

Pick your pleasure... all fashion art sex travel

Lookbook Lust: Coal Headwear AW13

We’ve been keeping an eye on the down-to-earth, everyday styles of Coal Headwear for a while, and last week they launched a new website! It’s looking better than ever, with headgear for those long-awaited adventures, or just for a day out on the town.


Interview Series: Jenny Liz Rome

The female form has been penned to paper for centuries, artists just can’t seem to get enough of the curves of a beautiful woman. Illustrator Jenny Liz Rome‘s modern but abstract vision encapsulates such leading ladies, where she fuses her own photography with found images, taking fragments of the female form and weaving them together to make a whole. Fashionable, yet quite primal in a way, her characters linger with a brazen sensuality. Have a read of her interview!

LF: You’re quite adept at figure drawing. Why such a focus on the female figure, in particular?

JR: Many people identify my work as 100% drawing, but the bodies and faces in my images are actually collaged from photographs. I started by taking images of my friends, and have since began combining my own photography with found images. In almost all of my work, you’re not looking at one woman who actually exists. I make each girl with fragments of bodies and portraits. Working that way gives me the freedom to create an entirely new human being, and body shape. In any given image, you may be looking at the parts of 3-5 different people. I focus mainly on the female form, because it’s the perfect canvas.

LF: A head piece or hair plume seems to dominate in your work, sometimes even covering the face. What’s this all about?

JR: I love hair. It’s funny though, because I spend way more time creating it then taking care of my own. I find it much easier to draw a ridiculous mane on a dancing woman with bear shoulders then it is to comb through my knots. I like to cover eyes to leave a sense of mystery in the image. Eyes are so personal.

LF: B&W vs. color?

JR: Ohhhhhh. Ummmmm. Hardest question.  For about 2 years I was obsessed with B&W. I thought to myself, ” Pffff, why does anyone work in color? B&W is so sexy.” If you have seen my recent stuff, clearly I am changing my mind. Color is really becoming a huge part of my process. I am using watercolors right now, and it’s way sweet. I haven’t had stained pink and blue finger nails since University. It feels pretty refreshing.

LF: You have cited themes of femininity, raw animal nature and surreal fashion in your work. What inspires you most in these areas?

JR: I have always been very interested in a humans potential to be a very primal creature. I named my last series (beginning with the woman dawning bear and lion shoulders) “Lady Of The Flies.” We were made to read William Golding’s “Lord Of The Flies” in high school,  and it really grossed me out at the time. The idea of what young children could be capable of, if taken out of modern society, was unsettling. I decided to take that idea of unforgiving primal roots and create a fashion line from it.  Kind of a strange jumping off point, but it gave me a lot of inspiration. I tend to design a fantasy wardrobe that I wish i had to courage/means to wear myself.  With such little opportunity to dress how I really want, I find myself pining for Halloween.

LF: You’re work is a multi-layered process. Can you talk about the tools you use to to get there?

JR: Well , I start with several images. Some of my friends and some found images, that I find in magazines or on the Internet. I pull the images into Photoshop – and make what might be best described as “Frankenstein’s Wife” – as I make a new person out of several people. Once I lay the groundwork for the body, I start on the hand drawing portion. Drawing details like the hair, pieces for the outfits, the feathers, the flowers, etc.  which will later be digitally composited.  For a lot of my recent work, I’m also adding a color portion, so i get to play around with water color for a while. I scan all of my hand work into my computer and play with composition until my eyes hurt, or notice I’m getting really thirsty. Lately I have been printing the almost complete product, and giving it one last layer of pen work, to get a nice illustrative finish.

LF: What do you do when you’re not drawing sexy ladies?

JR: Play tennis, play with cats, go swimming, go to concerts, travel.

LF: How to you get off, literally or figuratively?

JR: Pressing the “Flatten Layers” button on Photoshop, when I’m finished with an image.

LF: How fast do you live?

JR: It’s hard to sit still. I have a lot of hyper energy. Except at 2 p.m. when I need a cat nap.

Lookbook Lust: Luv AJ Shark Tooth Collection

The Live Fast Mag crew is wild for Shark Week and we’re constantly looking for the hottest shark-inspired accessories to give some edge to our style. Luv AJ‘s new shark tooth collection couples chunky teeth, two-tone metal combinations, bold chains and Swarovski crystals in kick-ass designs, and it’s definitely our Lookbook Lust of the moment! See you at the beach!

Shop the Luv AJ collection here

Interview Series: Basement Fox (NSFW)

“Models in the Morning,” a series of sensual photographs of women in their bare essentials, has made quite a splash in a very short time. Photographer Asher Moss a.k.a. Basement Fox has built a fan base of over 15k followers on Instagram in less than nine months, all with his posts of beautiful models in their most intimate moments and the hashtag #modelsinthemorning.

The success of the series has inspired Basement Fox to take it on the road in a sixties camper to capture America’s finest women for a coffee table book, and we love the idea and the spontaneity of meeting and photographing diverse models from all over.

He’s put together an Indigogo campaign to help finance his trip with about eighteen days to go, so let’s help him make it a reality!

Models in the Morning – Photo Tour from BASEMENT FOX on Vimeo.


LF: First of all, how do you find all these lovely models?

BF: The fucking internet.

LF: “Models in the morning” celebrates natural women in little to no makeup or clothing. Why is this vulnerable state so important?

BF: All people are attracted to things that are real because they can relate to them. Rare to find people or experiences like that.

LF: You seem to have struck a chord with your hashtag #modelsinthemorning, which propelled you to 14k Instagram followers in only nine months. Has this rapid popularity affected your work in any way?

BL: If you don’t grow, you die. People’s belief in an artist should act as a catalyst to push them to do something that is hopefully, magical.

LF: There’s quite a nostalgic aesthetic to your locations and even styling decisions, almost like the days of the flower child. Can you talk about this?

BF: Since childhood, I’ve had an obsession with the sixties and seventies. Something to do with the sexual revolution, rock n roll, the culture, it was an awakening to all the things I hold dearly. Oh, and Dylan. There was nothing like that period, and there never will be again. The only way to capture a glimpse is by recreating it. It also helps getting really stoned and listening to Dark Side of the Moon on vinyl.

LF: What’s your idea of a free sexuality?

BF: I’ve woken up next to someone so wild and free it made me feel completely human. It was not emotional, it was raw and beautiful. That person let me be exactly who I was. That’s free sexuality. It has nothing to do with nudity, but the release of expression without bias or judgement.

LF: You talk adamantly about using film, shooting in camera and using natural light. What has this done for the overall tone of your images?

BF: It has taught me about light and darkness, the emotion of the scene and the person in it. Film has a softness that makes you feel closer and more intimate with the subject.

LF: Have you ever used digital, or are you strictly a film guy?

BF: 75% film 25% digital. If and when a digital camera emerges I treat it like a light meter to see what the shot is going to look like on the negative. And the film ALWAYS wins.

LF: What’s your background in photography?

BF: Incredibly limited. Picked up a 35mm Pentax at a flea market and haven’t put it down since. Keep adding to the analog collection.

LF: You’re taking your “Models in the Morning” concept across country with a sixties camper, stopping in ten major cities and a dozen small towns. How will you find your models? Or do you have them already lined up?

BF: Thank god, many of them are finding me. People are finding out about the trip and my inbox gets a little bigger each day. Also, doing casting calls in each city, so it’s a matter of filtering out who works for this project and who doesn’t. Referrals have been by far the best route.

LF: Any special destination stops on the way for you that you’re really excited about?

BF: Marfa, TX. All my stoner friends tell me Marfa and Joshua Tree will be exceptional stops.

LF: What gets you off, literally or figuratively?

BF: Skinny bitches, old playboys, an occasional bush, hot showers and cold mountain dew.

LF: How fast do you live?

BF: I’m a long distance runner.

In Focus: Meryl Pataky’s “Cellar Door”

We did a studio visit a while back with Meryl Pataky and have since been in awe of her work. After seeing firsthand the time, money, commitment and volatility of working with a medium such as neon, this girl deserves some major props.


Editorial: Alexander Jacob “NoHo”

“North Hollywood has this street vibe you often see in Venice or Silverlake, but dated and nostalgic – with cool alleys and wide streets,” says L.A.-based photographer Alexander Jacob about the hood he shot Ford model Cristal Serrano in. A match made in Instagram, the two decided to put together a test shoot near her digs in NoHo; sans MUA and stylist, they pulled it off in this fresh and sun-kissed photoboard. Check it out.


Art Crush: Matthew Tammaro

Matthew Tammaro‘s photography makes you feel like you accidentally stepped into his private little world. His images scream the free-spirited road trip vibe, with a playful sexual tension that emanates from a diverse mix of female muses. A recent transplant to L.A. from Toronto, it seems like his aesthetic will fit in just fine.


Studio Visit: Greg Gossel

Greg Gossel caught my eye a while back with his incredible collage of Bill Murray, a part of an exhibit called “Bad Dads, A Wes Anderson Tribute” at Spoke Art Gallery in San Francisco. Well, he’s back in the city for a sexier show “Head Over Heels” at White Walls, and I got the chance to visit with him as he was setting it all up. His work is a confluence of layers of hot models, combined with his signature use of typography. He also took me around the corner to check out his piece on the street, which was grabbing a lot of attention as we were shooting. His background in design is apparent in his work, and it will be a fixture at White Walls until June 29, so if you are in the area, it’s definitely worth a gander. Have a read of the interview:


Editorial: Rebekah Campbell “Color Bomb”

There’s something about pretty girls covered in paint, flirting and laughing. We can’t quite put our finger on it, but there is definitely something. This editorial by young photographer Rebekah Campbell (she’s only 20) plays with the art of body painting in this way, and the result is super cute. We like the minimal styling, the short shorts and underwear look, and of course the girls take the cake. They look like they’ve been besties forever.


Editorial: Aaron Feaver “Ditch”

Photographer Aaron Feaver has sparked the summer fever in us with this exclusive editorial, and right in time for Memorial Weekend we find ourselves ecstatic with the thought of long days at the beach, pool parties and bubbly in the sun… Bring on the animal prints, sexy bathing suits, bold floral pants and of course, short shorts! We say if you don’t have Monday off,  play hooky!

Denim jacket: vintage, Bikini: MANDALYNN

Button up: Lee Vintage, Necklace: H&M, Tank: Urban Outfitters, Tank: Skirt: Nasty Gal

Top: Nasty Gal, Pants: Jac Vanek x Element Eden, Leather jacket: Stylist’s own

Top: Nasty Gal, Skirt: Urban Outfitters, Belt: Vintage

Photographer: Aaron Feaver, Feaverish Photography

Styling: Taylor Sheridan

Hair & Makeup: Maddie North

Model: Brooke Nesbitt

Tee: Vintage, Bracelt and hat: Model’s own

Interview Series: Shane Small

I can’t recall when I first stumbled onto Shane Small‘s work, but I remember instantly falling in love with his clean, sexy style. I follow a lot of illustrators online: I am amazed by the raw talent constantly flooding the interwebs, but coincidentally, Shane’s graphic illustrations stuck with me. Perhaps it’s because he photographs most of his subjects himself, which I appreciate (I think it’s the photographer in me), or perhaps it’s his thought process all the way through the illustration to the end. Regardless, his work speaks for itself. Have a read of the interview:


Studio Visit: Meryl Pataky

Meryl Pataky is one of those artists that you just want to hang out with. Her studio, which she shares with a handful of other artists, was once the Hamms Brewery storehouse, with a storybook tower that held the brewery’s malt and barley. I first met Meryl at the Mark Warren Jacques White Walls show about a month ago – she had collaborated with him on a piece, adding one of her neon creations to one of his paintings. We hit it off, and as I’m super fascinated with the process of making neon art, we agreed on a studio visit.


Kickstarter Watch: SuRu Clothing

Oakland-based apparel company SuRu has a cool mantra. Baba Afolabi, Nigerian born but Oakland raised, wants the world to know that SuRu is about diversity and multiculturalism, and he’s designed his brand to represent this. SuRu in Yoruba, his native language, means “Patience” and in the Japanese language means “To do.” Despite the geographic distance between the two cultures, the words come together to mean “To Do Patience.” This is a quality that speaks to the core of the SuRu brand, representing all of the colors of the world. Also, Baba has an affinity for the number five, a lot of his designs incorporate cities spelled with five letters.


Interview Series: Mark Warren Jacques

Mark Warren Jacques was born and raised in Colombus, Ohio, but he screams West Coast. He credits the mystic, more spiritual aspect of his work to his Midwest upbringing, but his time spent on the West Coast, mainly Portland, has certainly shaped him as an artist. This body, titled “Small in a Big Way” opened on Friday in the White Walls Project Space, and the small pieces pointedly hung together formed a larger entity that really worked for his audience. In fact, he sold a good amount of his psychedelic pieces, while touring the gallery, skateboard in hand.


Photo Board: The Real Tahoe

On a steamy spring bluebird snowmobiling day in the back country of the Sierras, specifically North Lake Tahoe, Xena totally stole the show. Xena’s the dog, half husky and half malamute, but totally a baby. There’s something about hanging in the snow way up in the mountains, dog in tow, with her running wildly beside the snowmobile but never losing the scent or the crew.


Art Crush: New Prints From Occupy

We can always expect great things from British indie arts project “Occupy” when they do new print releases. They’ve got a stellar roster of artists with diverse and marked styles, and who doesn’t love a new limited edition art print on the wall? I know I do. What’s your fave?


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