Girls on film. Perhaps that tagline is a bit of a cliche at this point, but it encompasses the subtle sexuality and rich intimacy film photos have nonetheless. Oftentimes the best editorials are film photos of a woman merely existing, as exemplified by Aaron Feaver in our latest feature. Stills that translate into lost breathes from a Sunday morning are raw and confidential, exposed for your eyes only.
Sarah is evocative before the camera, the curves of her body resting atop her bone structure. This exclusive pleads one simple reminder: Beautiful things don’t ask for attention.